Medieval Latin and the rise of European love-lyric by Peter Dronke

Cover of: Medieval Latin and the rise of European love-lyric | Peter Dronke

Published by Clarendon Press in Oxford .

Written in English

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Subjects:

  • Love poetry, European -- History and criticism.,
  • Love poetry, Latin (Medieval and modern) -- History and criticism.

Edition Notes

Book details

Statementby Peter Dronke. Vol.2, Medieval Latin love-poetry : texts newly edited from the manuscripts and for the most part previously unpublished.
ID Numbers
Open LibraryOL19851818M

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Get this from a library. Medieval Latin and the rise of European love-lyric. [Peter Dronke]. Medieval Latin was the form of Latin used in Roman Catholic Western Europe during the Middle birminghamasphaltcontractor.com this region it served as the primary written language, though local languages were also written to varying degrees.

Latin functioned as the main medium of scholarly exchange, as the liturgical language of the Church, and as the working language of science, literature, law, and birminghamasphaltcontractor.com forms: Old Latin, Classical Latin, Late Latin.

Ahead-of-print book reviews; Forthcoming articles Medieval Latin and the Rise of European Love-Lyric. Peter Dronke Export Citation: Track Citation: Email A Friend: Add To Favorites: Permissions; Reprints: SHARE. ARTICLE CITATION. Charles Witke, "Medieval Latin and the Rise of European Love-Lyric.

Peter Dronke," Modern Philology 64, no. From inside the book. 11 other sections not shown. Other editions - View all. Medieval Latin and the rise of European love-lyric, Volume 1 Peter Dronke Snippet view - Medieval Latin and the rise of European love-lyric, Volume 1 Peter Dronke Snippet view - Medieval Latin and the Rise of European Love-lyric: Problems and.

Medieval Latin and the rise of European love-lyric (Oxford University Press Academic Monograph Reprints) [Peter Dronke] on birminghamasphaltcontractor.com *FREE* shipping on qualifying birminghamasphaltcontractor.com by: In contrast, Peter Dronke argued that all eight stanzas were the work of a single author in his book, Medieval Latin and the Rise of the European Love-Lyric, specifically citing the presence of Dum domus lapidea, an eight stanza parody of Dum Diane vitrea, later in the Carmina Burana text (CB ).

A list of Medieval Latin readers and books on the subject of Medieval Latin. Score A book’s total score is based on multiple factors, including the number of people who have voted for it and how highly those voters ranked the book.

Two Medieval Lyrics by Saltmarsh, John (ed.) and a great selection of related books, art and collectibles available now at birminghamasphaltcontractor.com Medieval Latin and the Rise of European Love-Lyric. by Peter Dronke and a great selection of related books, art and collectibles available now at birminghamasphaltcontractor.com Read "Peter Abelard: Some Recent Interpretations, Journal of Religious History" on DeepDyve, the largest online rental service for scholarly research with thousands of.

Wade says scholar Peter Dronke, who wrote the book Medieval Latin and the Rise of the European Love-Lyric, in which this letter also appears, believes the letter expresses real feelings written by Author: Anya Crittenton.

Ernst Peter Michael Dronke FBA (born 30 May ) is a scholar specialising in Medieval Latin birminghamasphaltcontractor.com is one of the 20th century's leading scholars of medieval Latin lyric, and his book The Medieval Lyric () is considered the standard introduction to the birminghamasphaltcontractor.comity control: BIBSYS:BNE: XX.

Jul 01,  · For example, I regret the omission of Peter Dronke's Medieval Latin and the Rise of the European Love Lyric (Oxford ) from the chapter on the lyric, and, however limited it may be, of Fletcher Collins's The Production of Medieval Church Music-Drama (Charlottesville, Va ) from the chapter on the liturgical drama.

Feb 27,  · Buy Mediaeval Latin and the Rise of the European Love-lyric by Peter Dronke from Waterstones today. Click and Collect from your local Waterstones Book Edition: New Edition.

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DE GHELLINCK,J. Littérature latine au moyen âge. Hildesheim, Olms, 2 volumes in 1: ; p. Cloth 20 cm (Reprint edition Paris ) (Volume 1: Depuis les origines jusqu'à la. Feb 27,  · Mediaeval Latin and the Rise of the European Love-lyric by Peter Dronke,available at Book Depository with free delivery worldwide/5(5).

Nov 25,  · In many ways I am tempted to see this poem almost as an emblem of the twelfth- and thirteenth-century European poetry of amour courtois. Dronke () p.

The above quote is part of the concluding paragraph for the whole interpretive volume of Dronke’s learned and influential work on medieval Latin love lyric.

Foebus abierat ("Phoebus had gone") is a medieval Latin poem, authorship unknown, composed near the end of the 10th century in Northern Italy. Described as "hauntingly beautiful" and "one of the joys of medieval poetry," it is an erotic dream-vision lyric spoken by a woman who grieves the departure of her lover Phoebus, brother of the Moon.

Dec 23,  · Twitter user Erik Wade shared the two letters, which were initially published in the second edition of “Medieval Latin and the Rise of the European Love-Lyric,” second edition, as compiled by.

Mediaeval Latin and the Rise of the European Love-lyric (Oxford University Press Academic Monograph Reprints) Nine Medieval Latin Plays. Peter Dronke $ Abelard and Heloise in medieval testimonies (W.

Ker memorial lecture ; no. 26) Peter Dronke. Out of Stock. Women Writers of the Middle Ages: A Critical Study of Texts from Perpetua. MIDDLE ENGLISH LYRICS The best of the Middle English lyrics, both religious and secular, seem remarkably fresh despite the fact that in both theme and form they are extremelyconventional— at times almost stylized.

The song of spring (the French reverdie), the love lyric and. (2) Medieval man dreaming while woman hugs him. The depicted man (minnesinger) here apparently is Herr Konrad von Altstetteng.

He is known to have sung between and about the Upper Rhine Valley. Similarly from UB Heidelberg, Cod. Pal. germ.fol. References: Dronke, Peter. Medieval Latin and the Rise of European Love-Lyric. The publication covered today wasn't originally on my list of referenced articles to look up, but it was right next to another article in that issue of Medieval Feminist Newsletter and it seemed like a useful book-end comparison for the Project.

Back inthis article indicates the state-of-the art regarding research into lesbianism in medieval Europe. It was originally published in the second edition of Peter Dronke’s book Medieval Latin and the Rise of the European Love-Lyric, published in Dronke is one of the 20th century’s leading.

This book has been cited by the following publications. Caskey, J. Art as patronage in the medieval Mediterranean: merchant customs in the region of Amalfi. Cambridge: Cambridge University Press. Dronke, R. Medieval Latin and the rise of the European love-lyric (2 vols.).Cited by: Ernst Peter Michael Dronke FBA (born 30 May ) is a scholar specialising in Medieval Latin literature.

He is one of the 20th century's leading scholars of medieval Latin lyric, and his book The Medieval Lyric () is considered the standard introduction to the subject.

The last chapter, 'The Medieval Latin Love-Lyric' (pp. 1), is the climax; putting to the test of detail the question if, when, and how the courtly experience exists, and how far the mystical, noetic, and sapiential elements transform and enrich it, in Latin, no less than in the vernacular.

It. To read Peter Dronke's book is to want immediately to read again the lyrics about which he writes so perceptively. His understanding of human nature combines with an extraordinary bird's-eye view of Western European culture in the middle ages (and familiarity with the languages) to present the poetry of the time in beguiling context.

He shows the men and women who sang and played in medieval. Professor of Medieval Latin Literature, University of Cambridge, - ; Fellow, Clare Hall, University of Cambridge, - Medieval Latin and the rise of European love-lyric (2 vols) () History of the Book (English) Professor Dr Margit Frenk.

Professor Jean Tadié. Mr William St Clair. English Language and. The Medieval Latin Erotic Lyric in English Manuscripts Thomas C. Moser Jr. Latin texts used in this book. He has caught many a howler, of course, but he Medieval Latin and the Rise of European Love-Lyric,2d ed., 2 vols.

(Oxford: Clarendon Press, ) are. taken from Peter Dronke's Medieval Latin and the Rise of European Love Lyric (Oxford, ), including both letters from women to men and letters from women to other women.

I began the unit on homosexuality by asking the students to think about what the term Neo-Latin Literature and the Pastoral by W. Leonard Grant Medieval Latin and the Rise of European Love-Lyric by Peter Dronke. Medieval Latin and the Rise of European Love-Lyric by Peter Dronke (pp.

) Review by: T. DOI: / Sep 12,  · The monumental work Medieval Latin and the Rise of European Love-Lyric, published inexpanded upon that definition: ‘le culte d’un objet excellent’ {cult directed toward an instance of excellence}: such an attitude of the poet towards his beloved is the foundation of the courtly experience.

8 Peter Dronke, Medieval Latin and the Rise of European Love-Lyric, id ed., irxvii.»In their introduction to the collection In Pursuit of Perfection, Joan Fer-rante and George Economou observe that "a distinction must be made be­ tween an established doctrine, a rigid system of rules of behavior, which didCited by: Il 'Novus Avianus' of Alexander Neckam in the context of medieval Latin rewritings of Avianus Article in Maia 54(2) · May with 15 Reads How we measure 'reads'.

A comprehensive history of medieval Anglo-Latin writings (which represent an astonishing nine tenths of English literary culture in the period). The past century since the last major work on this subject has seen the discovery and editing of many important texts.

The Play of Ambiguity in the Medieval Latin Love Letters of the Ovidian Age (Baudri of Bourgueil and Gerald of Wales) Tomas Hägg () in memoriam MAREK THUE KRETSCHMER Que toute fiction soit vérité, et inversement, c’est une chose.

Medieval Latin and the rise of European love-lyrics / by Peter Dronke Dronke, Peter, [ Book: ] At 2 libraries [ Book: ] Languages: English;Undetermined, [1 other] View online (access conditions) Medieval Latin and the rise of European love-lyric Dronke, Peter, [ Book: ] View online (access conditions).

History at Lancaster University. Home > Seminars > X >: The [Earlier] Cambridge Songs. The ‘Cambridge Songs’ (or its Latin equivalent Carmina Cantabrigiensia) is the name that has been given to a collection of poems whose only connection with Cambridge derives from their preservation in a manuscript which belongs to the library of that university (MS Gg).Jan 04,  · 48 As in other areas of medieval literature: cf.

Peter Dronke, Medieval Latin and the Rise of the European Love-Lyric, 2 vols (Oxford, –6; 2nd edn, ). 49 Vivian Mercier, The Irish Comic Tradition (Oxford, ).Author: David N. Dumville.Peter Dronke's landmark study of Medieval Latin and the Rise of the European Love-Lyric (Oxford University Press, ) contains an extraordinary range of texts, from entirely personal, direct testaments to intricate displays of artifice and erudition.

A remarkable number were written by women; others, though by men, are essentially gender-neutral.

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